Photography maintains a substantial collection of negatives and slides in trust for the community. The collection has been compiled over the past 30 years through contributions from professional and amateur photographers and communities. It represents a valuable historical document recording political, cultural and social change in Northern Ireland over more than 3 decades.
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9 portraits, mixed media
A recently deceased famous French critic once compared Thomas Mailender’s work to that of Bernd and Hilla Becher under the influence of Pastis, a local aniseed liquor popular in the south of France.
He focuses on the source material and subjects and appropriates and diverts found images from the Internet, flea markets and the like. Mailaender is an insatiable and compulsive collector of photographs and sociological patterns. One of his major investigations is a typological survey, inventory and recycling of human behavior, particularly hobbies and incidental activities, using entertainment as a substance and a means to develop his practice. Through his mise en abyme of the frivolous he allows a multitude of amateur and/or vernacular objects, images and customs to attain the status of artworks, repeatedly questioning the notion of artistic legitimacy.
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Vox Populi London, 2012
Fiona Tan initially became known for a body of work that relied on the use of archival films, questioning the observer and the observed and challenging the assumptions of the colonial past. Portraiture has been explored in various works combining an analysis of its art-historical and sociological context with how time influences our perception of those portrayed. Recent works concentrate on how memory is connected to images in our mind and on how inaccurate and yet creative memory can be. Throughout her work Tan shows a continuing interest in the motivations of the traveler or explorer. The question how we represent ourselves and what mechanisms determine how we interpret the representation of others, are repeatedly being investigated, revealing what is behind and also beyond the confines of the image.
<p><a href="http://vimeo.com/37583566">Fiona Tan: Vox Populi, London</a> from <a href="http://vimeo.com/user5488971">The Photographers' Gallery</a> on <a href="https://vimeo.com">Vimeo</a>.</p>”>
Tan: Vox Populi, London</a> from <a href=”http://vimeo.com/user5488971″>The
Photographers' Gallery</a> on <a href=”https://vimeo.com”>Vimeo</a>