Archivo is a documentary photography editorial project based in Porto, Portugal.
The project’s objective is to highlight documentary photography, creating a connection between contemporary relevant photographers and artists and emerging photographers who aim to publish their photographic work.
Archivo provides cultural and educational initiatives around documentary photography.
Category Archives: Publishers and Bookshops
TOP 10 photobooks 2014 / ICP
1. Tranquility – Heikki Kaski [Lecturis. Amsterdam, 2014]
2. Prolifération – Geert Goiris [Roma Publications n° 225. Amsterdam, 2014]
3. Topographies –Monica Ursina Jager [Kodoji Press. Switzerland 2014]
4. Syria Al-Assad – Oliver Hartung [Spector Books. Leipzig, 2014]
5. Linger (Teikai) – Daisuke Yokota; Teikai (Wandering at Midnight) – Daisuke Yokota [Akina Books. London, 2014]
6. Photographs for Documents –Vytautas V. Stanionis [Kaunas Photography Gallery. Lithuania, 2014]
7. Esto ha sido (This Has Been) –Luis Weinstein [Self-published, Chile 2014]
8. The Night Climbers of Cambridge – Thomas Mailaender [Archive of Modern Conflict. London 2014]
9. Ponte city –Mikhael Subotzky and Patrick Waterhouse [Steidl. Göttingen,2014]
10. Periscope – Jose Diniz [Editora Madalena. Sao Paulo, 2014]
From: https://icplibrary.wordpress.com/2014/11/12/ten-photobooks-from-2014/
Bidoun
Bidoun, Diaspora, 2012
Since 2004, Bidoun has filled a gaping hole in the arts and culture coverage of the Middle East, pioneering a distinctive voice that is intelligent, critical, and original. From the beginning, Bidoun has served as a platform — for new questions, images, and ideas about the Middle East. Bidoun’s activities fall in three primary areas: publishing, educational, and curatorial. To date, our projects have included a range of pursuits: curatorial initiatives, educational programs, artist commissions, talks, tours, performances, books, an itinerant library, and an online archive of avant-garde media.
Editorial Concreta
Concreta surge de un deseo compartido y de una carencia: el deseo de construir una plataforma desde la que contribuir a la reflexión contemporánea sobre la imagen, a través de la publicación de una revista semestral y de una serie de libros de artista; y de hacerlo desde un lugar preciso, una comunidad marcada durante los últimos quince años por la desaparición sistemática de la infraestructura cultural dedicada a las artes plásticas y visuales. Esta situación local de crisis cultural se suma a la actual situación de colapso global del capitalismo financiero, que apunta hacia un cambio de paradigma en muchos aspectos, no solo a un nivel macroeconómico sino también, y sobre todo, micropolítico, anunciando un oscuro futuro para la cultura y las artes.
Rough’nough
Rough’Nough é maioritariamente uma editora e casa de impressão de livros de artista e pequenas publicações independentes em risografia, sediada em Lisboa, Portugal.