Guido Guidi began experimenting in the late 1960’s with pseudo-documentary images that interrogated photography’s objectivity. Influenced by Neo-Realist film and Conceptual Art, in the 1970’s he began investigating Italy’s man-altered landscape. Working in marginal and decayed spaces with a camera, Guidi creates dense sequences intended as meditations on the meaning of landscape, photography, and seeing. Continue reading Guido Guidi
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Gregory Crewdson
Gregory Crewdson works within a photographic tradition that combines the documentary style of William Eggleston and Walker Evans with the dream-like vision of filmmakers such as Stephen Spielberg and David Lynch. Crewdson’s method is equally filmic, building elaborate sets to take pictures of extraordinary detail and narrative portent.
from White Cube
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