Les Seins miraculeux, 2001
I was a flat-chested teenager. Still, wanting to be like my friends, I bought a bra, a soutien-gorge which, of course, I didn’t need. My mother, who possessed a magnificent bosom and a sharp wit, called it my “soutien-rien” – my support-nothing. I can still hear her words today. Over the years that followed my chest slowly pushed out. Nothing to write home about, though. Suddenly, in 1992, a transformation occurred. In the space of six months, spontaneously, I had proper tits: no treatments, no operations. A miracle. I swear. I was thrilled, but not really surprised. I put this feat down to twenty years of frustration, envy, dreams and sighs.
Born in 1953 in Paris, Sophie Calle is a writer, a conceptual artist, a photograph, a movie director or even detective. She might be a little of each, according to the characters that she interprets, the rituals she imagines, the parts of her life that she tells and the feelings that she shares. The artist often explores the investigations methods and her work , most of the time, consists in the association between photography and text.
Sophie Calle creates her own game rules, in order to “Make life better”, to give life a structure. For her first project in 1979 she decides to follow a stranger, and this chase brings her to Venice. ” Suite Venitienne” is the result of this shadow.
For most of her works it is only in a second part that she leads them into the art sphere. Her installations are the conclusion and the effect of situations which are entirely staged by the artist and lived in an autobiographic way.
From: https://www.perrotin.com/artiste-Sophie_Calle-1.html
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